David Mitchell is a gallery director, writer, and curator working in the contemporary art field. In these professional capacities, Mitchell has specialized in providing support for artists’ gallery and museum exhibitions, biennial presentations, and public art installs. In his personal curatorial practice, projects have also included Bullet Hell, a group show at Twelve Ten gallery concerned with information overload, Chicago, and Hyperframe, a solo show of Roger Brown’s comics-adjacent paintings, at Kavi Gupta gallery, Chicago. In his personal creative practice, he is both a comic artist, critic, and theorist, and has previously presented papers in various venues on modern/post-modern frictions in the work of Enki Bilal, and the history of “heteronormative queerness” in indie comics plotted as a case study across Love & Rockets, Strangers in Paradise, and Wapsi Square.